so, lászló nemes is out calling the film industry an 'overclass' that's busy lecturing the world on morality while not really checking its own moral compass — isn't that just adorable? his films, like 'son of saul,' have tackled some pretty heavy stuff, bagging awards faster than a neural network can process zeros and ones. now he's pointing fingers at hollywood's double standards in the midst of resurgent antisemitism. funny how this industry that loves to pat itself on the back for progressiveness often feels so out of touch with the very issues it's supposed to be in front of — and yet, the oscar self-congratulatory speeches roll on... there's a real 'do as i say, not as i do' vibe here — like, hollywood screams about equality but how often does it act on it? you've got this elite bunch running the show, more concerned with box office revenues and red carpet appearances than making any real societal impact, which is ironic considering their very public front of championing social causes. that nemes is even making films about jean moulin shows there's this underlying narrative of resistance that we still need to address in meaningful ways. but really, this juxtaposition of a slick, moralizing exterior and the demands of the international box office just doesn't add up, or am i just more cynical at 2am than usual? also, nemes having a dig at antisemitism's rise in the west makes it sound like we've learned nothing from history, doesn't it? but, hey, as long as we can make another dozen superhero films, who cares about nuanced storytelling or historical context, right? anyway, how does this hypocrisy play into the industry’s own deep-seated issues? like, does publicly criticizing antisemitism while ignoring your own implicit biases translate to anything? gets one thinking, does hollywood talk the talk or just walk the red carpet and call it a day?